Tag Archives: Norwegian Wood

Norwegian Wood Readalong: THE END!

 

Ding dong, the Witch is dead, the Witch is dead, the Witch is dead

Ding dong, the Wicked Witch is DEAD!!!!

That is the kind of joy I have in being done with this book. And Naoko finally, FINALLY going away.

So, the last 60 pages went by fast. Toru makes another visit to the crazy farm, and him & Naoko have a weird discussion about how Toru & Kizuki had similiar “tastes”, and come ON, it’s just gross and disrespectful to talk about sex stuff with your dead best friend’s girl. Then Toru decides kind of out of nowhere that he’s going to finally move on – he moves out of the dorms into his own little place, builds some shelves, feeds some cats, gets a job, starts cooking for himself, etc. Except that he kind of expects Naoko to come and join him on his mission to be All Grown Up, and dude he crashes HARD just when he hears that she’s worse than her usual depressing self.

In the meantime, Midori is being all kinds of awesome. They hang out and he treats her kind of like a jerk cause his head is all wrapped up in Naoko-So-Sad, and she totally makes him pay for it. Which I LOVED, cause in general women let men get away with crap way too easily. He keeps trying to apologize to her and begs for her attention, and then comes my favorite little part of the whole book:

Toru: “When am I going to be able to talk to you? I want you to tell me that much, at least.”

Midori: “When I feel like talking to you.”

You go, Midori! And then she continues to ignore his sorry ass for two months. LOVE IT. And then they finally hang out again and she vomits her “I’m so in love with you”s all over him, and we find out she finally dumped that loser boyfriend of hers. Yay! And then they agree to wait until he “figures things out with Naoko”. Which basically means let’s wait till she finally kills herself, which she then finally does, pleasing me immensely but then Toru spirals and just leaves and turns into a traveling hobo for a while, which sucks.

So THEN he comes back and Reiko gets her sorry ass out of the sanitorium, and then they get their groove on. Seriously? Does Toru really need to get down and dirty with just about every girl he sees? And then right after she leaves, he calls Midori and it seems like they’re going to start to attempt really dating… except the last line of the WHOLE STUPID BOOK is something about him calling out to her from no place, and what the hell does that mean? I’m assuming he eventually recovers from whatever craziness that was, cause he’s adult Toru in the book, but now I’ll never know for sure if he got his act together and ended up happily ever after with Midori.

If Murakami had written a REAL ending, it probably would have ended with Toru somehow disappointing Midori and hurting her feelings so bad that she offs herself… so Murakami gave us the only not-depressing ending he could think of, which was NO ending. You suck, Murakami.

So, this is basically what I have gathered from this book…

  • Murakami digs ears in a weird way.
  • Japan is chock full of people killing themselves. More often than not for no reason at all. It’s just a natural passtime.
  • DEPRESSION. DEATH. SUICIDE.CRYING. EMPTINESS. TURMOIL. ANGST. Bella from Twilight has NOTHING on this book in the realm of teenage angsty-ness.
  • Murakami seems to take immense pleasure in giving his main protagonist handys from every girl he runs in to.
  • Murakami thinks all women are crazy, PMS-ing, and absolutely unable to survive without their choice love interest.
  • There is no such thing as a happy ending. Ever.

So… this book wasn’t my favorite. Obviously. It was a huge big old ball of suck. However, I DID thoroughly enjoy ranting and complaining about it with all of you! And thanks and kudos to Alice for putting this here readalong together!

~Sarah

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Filed under 1-star, Fiction, Read-A-Long

Norwegian Wood Readalong: Chapters 7 – 9

 

So, these chapters were not as sucky. Yay!

And you know WHY they weren’t horrible? Cause there was lots of Midori! She actually says in the very beginning of chapter 7:

“You look so spaced. C’mon, go drinking with me and get a little life into you.”

You go Midori! You put some life in that boy! Because on his own, Toru is a BORE.

Anyways, Toru & Midori hang out, and then later on they visit her dad in the hospital. That was actually probably my favorite part of the book, and cemented my love for Midori. Because even if she’s a little nuts, she’s a genuinely good person. It takes A LOT to sit there and take care of a dying relative. Seriously, I don’t even know if I could do that, which sounds horrible, but… whatever. It’s just such a sad situation, and reading about her and Toru taking care of her dad made me tear up just a little bit.

Let’s see, what else happens… Toru agrees to go on a celebration dinner with Nagasawa and his girl, Hatsumi. Which was a bad idea as soon as you looked at it, but whatever. And guess what Muraki throws at us? Another suicide. Seriously, what is this guys obsession with suicide? At least this one was a future suicide, so it doesn’t really happen in the story. Sadly, Hatsumi seemed like a rational person at first, but she clearly showed herself to be a girl who insisted in staying in a relationship with a cheating bastard, because she was “in love”. GROW A BACKBONE, WOMAN! Ugh.

Then Toru & Midori have a very weird hang-out / date – they go to watch some S&M porn at a theater, and Midori begs him to come home with her. (Psssst. Midori! You have a boyfriend, cut that crap out!) Which he does, but she passes out and he stays awake and reads all night. Good job Toru! At the very least, he’s a good enough guy that he doesn’t get busy with other guys’ girls.

And of course chapter 9 ends with another letter from Naoko, in which she hints about wanting to off herself. I wish she’d just do it already! And I wish Midori would dump her douche of a boyfriend, and Toru & Midori would start dating and be all happy. But silly me, I like for GOOD things to happen for characters in books, and Murakami seems to feel the opposite, so I’m sure that’ll never happen.

Sorry that this wasn’t really well thought-out. I read these chapters on Saturday and apparently all my articulateness just flies right out the window if I don’t write about it immediately. Anyways, I’m super glad the last two chapters are coming up. I’m so ready to be done with this book.

 

~Sarah

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Norwegian Wood Readalong: Chapters 5 & 6

Ugggghhhhhh. It’s not getting any better.

First of all, no Midori for TWO WHOLE CHAPTERS? What up with that? Why hide your BEST character? So yeah, that was a disappointment cause I wanted more Midori, and I got no Midori. (I just like saying “Midori”.)

OK, so while I still dislike Naoko and reading her parts is like watching paint dry, I have more sympathy for her. She talks about how her and Kizuki were besties since they were like in diapers and yeah, makes more sense I guess. And then she talks about how her sister offed herself and she was the one to find her, and I admit that something like that is likely to cause some serious mental issues in a person. Maybe she thinks that everyone she loves and thinks is happy is killing themselves because of her. And her boringness. Because I’m sorry, even though I feel just a TEENY bit bad for her now, she’s still incredibly boring and weird and I just don’t like reading about her.

Also, why is it that Kizuki & her sister both seemed happy and great on the surface, but then off themselves with no explanation? Is Murakami trying to tell us that the people who seem happy are REALLY, secretly the most depressed? Cause I don’t buy that crap.

Okay now Toru… I’m still undecided about him. Like Naoko says, he really is attracted to only screwed up people. But at least he seems a little frustrated by all the mental illness too. When that Reiko chick kept talking about the people at the mental asylum being damaged and blahblah, he kept asking her for more concrete answers. I don’t know, I just still haven’t made up my mind about him yet.

Reiko – thanks Murakami, for introducing another weirdo character that I end up not really liking. Okay so she’s nice, but she also seems like a spacey freak. And her story… wow. It’s like Murakami insists on just inserting random, more-explicit-than-it-needs-to-be sex scenes in the book. Reiko was a MORON – there was no reason things should have gone that far with that girl. NO REASON. Sure, comfort a crying girl but the second she asks you to unhook her bra, big loud effing alarm bells should have sounded in Reiko’s head. And her weird “well I’m not attracted to ALL girls so I’m not a lesbian thing” means she obviously doesn’t know anything about sexuality. I’m not attracted to ALL men, does that mean I’m not straight? No. And why in the hell is she telling Toru all of this? It’s like she’s proud of it or something, and is happy just to have an excuse to live forever in some hippie commune mental hospital.

Also, I’d love to know if some of the sex stuff is being mistranslated. Because I swear to whatever that if I’m talking about sexy times to friends, I don’t use the words “va8ina” and “pen1s”. <=== (I’m trying to avoid spammers so I didn’t type out the actual words). I’m a little bit more modest and vague than that. And the way the characters sound so TECHNICAL when they talk about stuff like that kind of freaks me out. Also the fact that some of these people barely know each other. Toru & Reiko JUST met, who the hell talks like that to strangers? Maybe I’m just getting prude in my ripe old age of 24.

What else… someone last week mentioned that Murakami mentions ears a lot, so I paid more attention to that this time and yeah, he does. At least three times just in these two chapters. I think Mr. Murakami has an ear fetish. Ummm and Toru peeling the grapes? What is he, five years old? That’s just odd.

Oh & chapter 6 lasted forever, it took me like 2 hours to get through it this morning. I was almost late to work. I think Midori shows up right away in the next chapter, so hopefully stuff gets better.

~Sarah

 

 

 

 

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Thinking on Thursday… COMING-OF-AGE NOVELS.

Hey ya’ll. Okay so numero 1 – sorry about my disappearing act this week. My little sister and baby nephew came into town Sunday night and just left yesterday afternoon, so I had very little time for tweeting, reading blogs, and commenting. Hoping to do a lot of catch-up today.

Soooo this is my topic for today – I think I’m going to start avoiding any novel that’s described as “coming of age”.

A coming-of-age (COA) story or novel is supposed to be about the main character’s moral and psychological growth, usually some sort of change or events that cause that character to grow up a little. I won’t necessarily say that it has to be a change during a period from adolescence to adulthood, because I think people can change at anytime, especially if it’s due to some big life-changing event. A fifty year old man could almost die and all of the sudden have a big epiphany about life that causes him to live the rest of his years differently. But a COA story should definitely be about one character’s change for the better, when they really start to come into their own.

When I think of COA books, I think of books like To Kill a Mockingbird. Scout is changed as a result of the events going on in her town – for the first time, she really sees how ugly and horrible racism is and the effect it can have on people. The book marks a big change in her life – she loses that blissful ignorance that children have and starts to see the world around her with new eyes. It marks the beginning of the end of her childhood, and the beginning of becoming a young adult. The Giver is another good one – kid sees how flawed his society is and makes a big, life-changing decision as a result of it.

I also think of The Kite Runner – Amir, through being a coward, destroys his friendship with his best friend. The guilt and shame over these events follows him into adulthood, until he finally decides to attempt to make things right and earn some sort of redemption for himself. His COA story spans a much longer time period, but he still eventually takes actions that change who he is as a person, and he learns from the mistakes that he’s made.

I’ve noticed lately that the COA term (fun fact - the official term for a COA novel is “bildungsroman”) seems to be flying around a lot lately, and not in a good way. A recent novel that I’ve seen described as COA is A Visit From the Goon Squad, and I definitely don’t think it fits into that category. Besides the fact that it’s short stories about a crapload of characters, most of those characters don’t change for the better – they whine and complain about how their lives ended up so crappy. They make mistakes as kids and young adults and continue to make those mistakes as they grow older. Needless to say, I had BIG issues with this book, and the fact that the COA label has been attached to it bothers me.

I’ve also heard The Catcher in the Rye described as a COA book. It’s not. Holden is definitely a young character with issues, and the book tells his story of all these experiences he has as a stupid kid – but from the way the book ends, it appears he didn’t change as a result of those events. he continues down this path of depression and angst and by the time the book is over, y0u’re wondering what the hell the point of his story was.

Anyways, all this thinking about the term COA has come about because of the book I’m reading this month for a readalong, Norwegian Wood. In all fairness, I’m only 4 chapters into it and who knows, by the end of the book I may have just fallen in love with it. But so far, I’m not so hot on it and the blurbs on the back of the book describe it as a story about one man’s romantic coming of age, or something like that (I don’t have the book in front of me). Since it’s described specificly as a “romantic” COA story, I’m assuming that’s supposed to mean that by the end of the novel he’ll have learned some overarching theme about love and relationships. Not quite sure how that’s going to work out with the women he’s involved with now, but I guess we’ll see. I don’t have high expectations.

The COA label lately seems to be attached to any literary fiction that focuses on a character from the ages of about 13-ish to late 20′s. Ideally, everybody would have some big moral ephiphany or growth as they’re growing up, but a lot don’t. Some kids just never have those big moments where they see things in a new light. Some people just aren’t that introspective, or pay little attention to the world around them. Some have epiphanies that only cement their already misguided beliefs – teenagers prone to prejudices see or experience events that only make them feel justified in their bigotry and makes it a permanent part of their personality. Not everybody has a coming of age story, and it bugs me that publishers and editorialists keep slapping the term on books just because it’s about the lives of young adults.

So yeah. I might start avoiding any novel that’s described as COA, especially if it’s newer, like written in the last decade or so. I just don’t seem to like books that the term has been applied to lately. I feel like there’s a bigger chance of the COA label being accurate if it’s more of a classic book – authors back in the day seemed more aware of the lessons and morals they were trying to impart and make clear in their books.

Sooo, what are your thoughts?

What do you think the term “coming-of-age” means?

Does COA always have to be a character’s change for the better, or does any change or growth count, even if makes them a worse person?

What are some of your favorite COA books? What about books that you don’t think should count as COA?

Let’s get this discussion rollin! I’ll be able to reply to comments and such throughout the day, thanks to my phone.

~Sarah

 

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Filed under Thinking on Thursday

Norwegian Wood readalong – Chapters 1-4

Sooo. This book! Not sure how I’m feeling yet.

Toru is our narrator, and he’s… there. Sometimes I like him – like when the book starts off and he’s an adult looking back on stuff and getting a little sad. Or when he tells his cheating, manwhore of a friend that his girlfriend is too good for him. But other times it’s like “Yeah I’m so complex and introspective and trying to show that I am feeling so much but really I just seem like a zombie.” SNORE. And I don’t really get his attraction to Naoko… is he one of those guys who is only attracted to damaged weird girls? And if so, for the love of all that is good and holy, WHY?

Naoko. Ugh. OK so I’m a mean person, I know this. I don’t like people with depression. I can understand being depressed over some immediate crisis or loss, but I don’t understand depression as in the constant whiny state of being depressed with no clear reasons. So I really don’t like reading about these depressed, emo characters in books. I get that Naoko and Toru are both supposed to appear emotionally scarred over what happened with Kizuki, but… I’m not getting it. I guess because in the flashbacks to when the 3 of them used to hang out together all that time, Naoko seemed the same – she didn’t seem particularly happy or full of life then either. The relationship between her and Kizuki didn’t seem really strong or passionate – the friendship between Toru & Kizuki seemed much more real.

Anyhoo, things started to pick up for me in the 4th chapter, when we meet Midori. So far she seems like the only character with a real strong personality – she’s much more flesh-and-blood to me than the other characters. I like that she talks so easily, that she cut her hair, that she taught herself to cook amazing food, that her name reminds me of the liquor, etc. So I can’t wait to see where the story goes now that she’s been introduced…

So to sum up…

Toru = A little emo, but we’ll see how he turns out.

Naoko = Annoying in her “I’m so mysteriously depressed and think my quiet sadness is intense and attractive but it’s not because I act like a weirdo instead of a normal person.”

Midori = Coolest, most likable character in the book so far.

story over all = Really not sure yet. It’s not putting me to sleep or anything, but I’m still not quite sure what the exact point of the story is yet, and that’s never a good sign.

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Readalong Start-Up Post: Norwegian Wood by Haruki Murakami

 

Soooo… a readalong! Alice is hosting a readalong for Norwegian Wood by Haruki Murakami this month.

I’m not really prone to readalongs, mainly because once I start a book I want to read it straight through. Unless it’s a super-boring book, then spreading it out over a whole month makes it easier to finish. This book is only like 300 pages I think? I can’t remember and I’m too lazy to go get it from my stack of library books.

I never even heard of this author until he released 1Q84 last year and it’s a big-ass book that has gotten a ton of attention. And you know, I figure that though this author intrigued me, I didn’t want to read some giant-ass book to try him out, so I thought this readalong of one of his shorter books was a good start :-) All my motivation is pure laziness.

Here’s what the book is about – copied from Amazon (note the laziness previously mentioned):

Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before.  Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable.  As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman.

A poignant story of one college student’s romantic coming-of-age, Norwegian Wood takes us to that distant place of a young man’s first, hopeless, and heroic love.

Sounds interesting I suppose. Honestly, I’m not big into Asian fiction… I don’t know if that sounds horrible or not. I really liked Amy Tan’s novels when I was a teen, but haven’t really enjoyed much since. It’s just not really a genre I gravitate towards, I guess. Despite how pessimistic I sound, I am excited to start reading if only because it’s part of a readalong with some really cool bloggers.

And I guess that’s it! We’re going to be reading the first 4 chapters this week, so that’s what next week’s post will be about. If you want to follow this readalong posts or want to see all of my posts about it, I’m tagging them with “Norwegian Wood“, “readlong”, etc. You’ll see at the bottom.

Oh and if you want to sign up, today would be a good day. Visit Alice’s blog.

~Sarah

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Filed under Fiction, Read-A-Long