Good morning, book lovers! So it’s time for my review of the fourth Thursday Next book. I’m not quite sure my brain it up to the task, but I’ll try.
BUT REMEMBER THERE ARE SPOILERS HERE IF YOU HAVEN’T READ THE FIRST THREE BOOKS, MMMKAY? KAY.
Somehow, it’s been over a year since I read the third book, The Well of Lost Plots! Honestly, don’t know how I went that long in between books. So let’s just say that I remembered that Thursday was still in Bookworld, and her hubby Landen was still non-existent because he had been eradicated, and she was chasing some book characters who apparently ended up escaping into the real world.
Something Rotten starts off with Thursday getting a bit frustrated with Bookworld and realizing that she needs to go home, try to un-eradicate her husband, and catch Yorrick Kaine - the escaped book characters that’s been making waves in the real world as a politician. So she takes a long leave-of-absence from Jurisfiction, grabs her two-year old son Friday, and heads back to reality.
There was a LOT to like about this book, and I read it pretty quickly. I liked seeing Thursday struggle with fictional character baddies, a husband that doesn’t exist, a hitwoman out to get her, Shakespeare clones, and more – and all while now being a mom. I like that being a mom doesn’t diminish Thursday’s awesomeness or adventures any - Friday is just one more thing she has to take care of in her hectic, weird life.
Once again, after finishing this book I had a weird dream – something about me being trapped with other people in a big store of some kind and black, shiny, hard-looking spiders and lizards that were WAY over-sized were crawling around trying to attack us, and none of my long-range weapons or machetes were around. It was weird, I didn’t sleep well that night.
Also, there were a few quotes I liked and wrote down, but I think this one (spoken by Hamlet himself who’s experiencing the real world for the first time) is my favorite:
“If the real world were a book, it would never find a publisher. Overlong, detailed to the point of distraction – and ultimately, without a major resolution.”
Which sounds pretty true, but I agree with Thursday’s response – that maybe we like it that way. I have the 5th Thursday Next book (although from what I understand, it’s the start of a separate Thursday Next series or storyline…?) on it’s way to me from Paperbackswap, and this time I’m not going to let a whole year go by before I read it.
Sarah Says: 4 stars














Vanity Fair by William Makepeace Thackeray
Hooray, another book off of my Classics Club list! And I kind of loved it.
I read Vanity Fair along with a great group of people for a readalong, so you may have seen the posts for the first and second halves of the book. But those are full of spoilers and random thoughts, so this here my spoiler-free review for the book as a whole.
Vanity Fair (often subtitled A Novel Without A Hero) is a classic revolving around the lives of two women in Vanity Fair – the modest, simple Amelia Sedley and the ambitious, scheming Becky Sharp. The novel follows their lives through the ups and downs, while making fun of society and it’s ridiculous rules, morals, and hypocrisy. It’s a satire in the finest sense of the word, and still has a lot of relevance in today’s world.
I could sit here and pick apart the messages in the novel and discuss the author’s criticisms of society, but I’m not going to do that. Besides, Thackeray is pretty open about it – he breaks the fourth wall constantly to talk directly to the reader, and refers to the characters as if they’re actors in a play we’re watching. Personally, I loved that he talks directly to the audience – it was usually entertaining and witty. His use of humor and satire made this book a really fun read.
The characters and their drama are definitely what drive the story. Becky is mean and conniving – her goal in life is to climb as far up the social ladder as she can to secure some wealth and position for herself. Cliff’s Notes says she’s a bit of a sociopath – while she’s definitely cold and calculating, I don’t know if I’d go quite that far. Amelia is a pretty, innocent, naive little thing who only has eyes for one man – George Osborne.
George Osborne, Rawdon Crawley, and William Dobbin are also some main characters, and really add to the story whether you love or hate them. Personally I adored Dobbin – if this novel does have a hero, it’s him. You’ll see him on any future “favorite men in classic literature” lists I do.
It’s so hard to talk about the characters any more than that without spoiling anything! But there is drama and plotting abound in this book, with several laugh-out-loud moments sprinkled in. I liked how ruthless Thackeray was when it came to mocking the upper class, and how Becky is a character I rooted for even though she’s pretty much a horrible person.
I definitely recommend reading this along with a group, if you can. While I did enjoy it, there were a couple dull chapters here and there that might have made me want to quit. When Vanity Fair was released, it was in 3 or 4 chapter increments in a periodical thingy – I aimed to read one of those sections a day, which worked pretty well. It kept me from getting frustrated, and even built up my excitement – there were times when I wanted to keep reading, but made myself wait until the next day to start the next section.
The sections of the novel as they were released.
This would have been a 5-star read except for two things – the dull chapters (there were only maybe 5 throughout the whole book, but they really were so slow and unnecessary), and Thackeray’s hints of racism. This occurred more in the beginning of the book, but it was noticeable and annoying. I know that it was pretty much the norm for the 1800′s, but it still rubs me the wrong way. It means I’ll never really consider him a favorite author, even if I end up enjoying some more of his books.
I’m so glad I read Vanity Fair, and I can’t wait to check out some of the film adaptations.
Sarah Says: 4 stars
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Filed under 4-star, British, Classics
Tagged as Amelia Sedley, author breaks the fourth wall, Becky Sharp, Ladykiller, satire, social commentary, Vanity Fair, William Makepeace Thackeray